I am fortunate. A quick browse through a local used bookstore yielded not only a hardback copy of Godbody but a collection of short stories by the same author, Theodore Sturgeon.
Although once widely known and generally acknowledged as a master of science fiction, Sturgeon is relatively obscure today; remarkably so, for a man who was once the most anthologized English author living. Finding his works in libraries is slowly becoming difficult, except in the ones whose stocks are full of old editions.
My first exposure was when I came across his short work “The Golden Helix” in just such an anthology. My eye was caught by the editor’s introductory blurb in which it was noted that the story was written before the structure of DNA had been discovered, and furthermore, suggested that the choice of the double helix was slightly spooky in that context. Curious, I paid especial attention, and found that the story more than repaid the interest invested.
On doing a little research, I found that Sturgeon was not only responsible for, among other things, the “Amok Time” episode of Star Trek, the “Live long and prosper” salutation, and the characteristic Vulcan hand symbol (although its form came from Leonard Nimoy). I tried to find more of his writings but found them to be fairly scarce, even decades ago – the situation has worsened considerably, it seems.
Like Robert Heinlein, Sturgeon seems to have contributed considerably to what I can vaguely refer to as ‘hippie culture’. Given the times in which he was writing, and the mores of public discourse involved, many of the concepts in his stories were remarkably ideoclastic and radical. Many of them seem quite same now, although parts would still shock many if they took the time to think about them.
I think I may write reviews of some of his writings in the near future.